The Wolverine is Back Bub!
The Wolverine starring Hugh Jackman, is among one of the highly anticipated superhero films of the year. With this second stand alone Marvel film featuring the clawed mutant Wolverine, the filmmakers have an obstacle to overcome: the disappointing albeit successful X-Men Origins: Wolverine. Director James Mangold and Marvel do that by borrowing from Uncanny X-Men #172 published in 1983 where the X-Men battle baddies in Japan.
Some of the similarities between the film and comic other than location, are the inclusion of the characters Mariko Yashida, Harada, Yukio and Viper. In the film Viper is a mutant and American. In the comic she appears to be some kind of assassin and is Japanese. Other roles are switched as well, but for the sake of not having any spoilers, we’ll leave out those details. It’s merely interesting to notice what Hollywood does to make something different from the source material while keeping the essence of it alive.
In this “sequel” to X-Men: The Last Stand. Wolverine has exiled himself from The X-Men and retreated to Canada where he lives as a kind of mountain man and is haunted by Jean Grey’s spirit in his dreams. He is found by Yukio, a female Samurai with the ability to see people’s deaths, sent to invite Logan-Wolvie’s real name for those who are unaware-to Japan at the request of Yashida, a Japanese soldier whose life Wolverine saved during the bombing of Nagasaki and Mariko’s Grandfather; who is dying.
Compelled to pay his respects and attempting to escape his past, Wolverine accompanies Yukio to Japan and meets the man he saved sixty-eight years ago. While there he uncovers a plan to kill Mariko and decides to become her protector. This is a task which tests Wolverine’s spirit and perseverance in unexpected ways, aiding him in rediscovering his reason for being the hero.
One aspect of the film that is especially enjoyable, is the portrayal of Japanese customs and culture. Mangold ‘et al do this so well, that we are able to see Japanese culture through the eyes of the Japanese and for those familiar with the culture, it is a breath of fresh air because true Japanese culture tends to get reduced to Samurai philosophies in Western cinema.
Marvel should be proud of The Wolverine because it does a superb job of restoring the iconic legend to his proper visceral, animalistic persona. Perhaps the only critique from this fan of films and Wolverine is that Adamantium is stronger than steel, even Japanese steel; unless we are supposed to assume that the Katanas in the film are made of the same metal as Wolverine’s claws. Otherwise, bravo, well done, splendid and all that!
Also, be sure to stay after the credits for a treat that should get many an X-Men fan excited. This fan sure was!